Jensen’s hand built terracotta forms rest on terry cloth constructions, while Gill’s paintings depict mixed media vessels in a dramatically flattened domestic space. The results reflect each artist’s unique approach to surrealist assemblage.
Gill and Jensen source material through various methods of ephemera collection – Gill utilizing archives and magazines to fill spaces in her paintings while the textiles composing Jensen’s ‘Warms’ series are gathered from friends and strangers over time.Together these bodies of work offer viewers an invitation to consider the personal history and object associations embedded within the artists’ paintings and sculptures.