Through a variety of mediums she illustrates a time warp, composed of everyday life, human agency and “post feminist” contemporary society. Her delicate transferware vessels are archeological explorations, geographic and cultural, actual and mythical, that the artist has seen and re imagined, or imagined without having seen. Gill’s work is a nostalgic look at the past and innocence with a twist, prompting one to question their sense of time and culture. Gill has had solo exhibitions in New York, Miami and San Francisco. Her work has been featured in The New York Times, Elle, Wired & Vogue. She lives and works in Sharon, CT.
Lizzie Gill
Lizzie Gill is a multimedia artist whose work explores themes of domesticity in a contemporary context.
Above:
Wedgwood (Drop Set), 2023
acrylic, image transfer + marble dust emulsion on panel
24 x 30 in.
Works
Wedgwood (Drop Set), 2023
acrylic, image transfer + marble dust emulsion on panel
24 x 30 in.
Lizzie Gill
Wedgwood (Drop Set), 2023
acrylic, image transfer + marble dust emulsion on panel
24 x 30 in.
Lizzie Gill
Vessels (Cowboy Traffic), 2022
Acrylic and image transfer on canvas
38 x 30 in.
Wedgwood (You Can Can-Can), 2023
Acrylic, image transfer and marble dust emulsion on canvas
52 x 40 in, 132.1 x 101.6 cm
Lizzie Gill
Wedgwood (You Can Can-Can), 2023
Acrylic, image transfer and marble dust emulsion on canvas
52 x 40 in, 132.1 x 101.6 cm
Wedgwood (Nocturnal Desert), 2023
Acrylic, image transfer + marble dust emulsion on panel
30 x 24 in, 76.2 x 61 cm
Lizzie Gill
Wedgwood (Nocturnal Desert), 2023
Acrylic, image transfer + marble dust emulsion on panel
30 x 24 in, 76.2 x 61 cm
Hydria (Nocturnal Desert)
Acrylic, image transfer + marble dust emulsion on panel
30 x 24 in.
Lizzie Gill
Hydria (Nocturnal Desert)
Acrylic, image transfer + marble dust emulsion on panel
30 x 24 in.